Showing posts with label everyone who pretended to like me is gone. Show all posts
Showing posts with label everyone who pretended to like me is gone. Show all posts

Sunday, August 29, 2010

The Walkmen - You and Me

Release Date: August 19, 2008

★★★★★ Tracks:

Dónde está la playa

On the Water

In the New Year

Canadian Girl



The Walkmen have put out three incredible records and the fourth (proper full length) is no different. You & Me is their best yet, a beautifully realized masterpiece revolving around love, loss and travel. The instrumentation builds upon the ideas they set in place with Everyone Who Pretended to Like Me is Gone, but the scale is much grander. Violas, horns, and organs are all used to compliment that eerie Walkmen blend of classic rock’n’roll and current indie rock.

The sound on its own can conjure vivid images and location, while Hamilton’s raspy voice narrates us though his personal contemplations while in those places. On "Donde Esta La Playa," the drums and guitar combine to transport us to a moonlit beach, where we’re told a story of bitter lost love. “Canadian Girl” invokes 1950’s and ‘60’s do-wop without the actual ‘do-wop’ backing vocals, but when Leithauser croons, “and only I still call you mine,” you can hear the throw-back to old soul in his voice.

Although not old himself by any stretch, Hamilton was approaching that 30 year milestone during the production of You & Me, and he seems more distraught than ever over the direction of his life. Even the more optimistic tracks contain melancholy undertones: in “Red Moon” Hamilton longs for his lover while on the road, but “In the New Year” he is uncertain there is a future for them at all. The latter has a cynical tone to it, with a lovely waltz time, triumphant guitars and vocals, and lyrics of enthusiasm for the new year, but when combined with the organ and Hamilton’s last few lines it hints at impending doom:

"So it’s all over
It’s all over, anyhow
You took our sweet time
And finally I opened my eyes
My friends and my family
They are asking of me
How long will you ramble
How long will you still repeat
The snow is still falling
And I’m almost home
I’ll see you…"




“On the Water” is the strongest track here. The instrumentation sounds like the driving force to a gritty crime-noir, setting us up for lyrics focusing on a poor soul who has lost someone very close to him/her, perhaps in some tragic accident. The video’s premise only enforces the image.



You & Me is an album that lives in those fleeting moments right before the sun comes up, when one goes through those late-night ( and often drunken) reflections on life; intimate moments that feel powerful but difficult to put in to words. Well, difficult unless you are Hamilton Leithauser. Life can get more confusing as age and mounting responsibilities add up, but the experiences can become more exciting and rewarding. The Walkmen perfectly capture those feelings on You & Me, and in doing so they created the best record released in 2008.

Here’s a short clip of "Canadian Girl" from a show the Walkmen played at the Bell House in Brooklyn, courtesy of a friend I was with that night. Check out her awesome bathroom blog, Courtesy Flush, where there's a post from the Bell House up now.

Wednesday, August 18, 2010

The Walkmen - A Hundred Miles Off

Release Date: May 23, 2006

★★★★★ Tracks:

Louisiana

Danny's at the Wedding






I don’t know A Hundred Miles Off well yet, but I’m glad I’m getting familiar with it. An underrated album from an underrated band, the Walkmen continue tweaking their sound with each new record, never giving way to redundancy. While Everyone Who Pretended to Like Me is Gone was low-key and atmospheric, and Bows & Arrows was frenetic and loud, this one mixes sounds from both. But A Hundred Miles Off is not simply a mish-mash of old Walkmen ideas, they add Latin and European elements to the songs, allowing the use of their organ and brass section in ways they hadn't used them before. Both embellish the major-chord progressions perfectly, accompanying Leithauser's most upbeat lyrics to date.

The best song is perhaps the first one. “Louisiana” exudes all those great feelings you get when you hit the road, enjoy good company and take in the scenery. It’s got a lazy, summery feel to it which only increases the effectiveness of the lyrics. And when the brass section kicks in I'm immediately transported to a river boat heading down the Mississippi, on my way to the cajun riviera. Unfortunately I’m sure it looks nothing like it used to now.

"Lousiana" YouTube Link (Warner Bros./YouTube won't allow embedding.)

Tuesday, August 3, 2010

The Walkmen - Everyone Who Pretended to Like Me is Gone

Release Date: March 26, 2002

★★★★★ Tracks:

Wake Up

French Vacation

We've Been Had



Hands down Everyone Who Pretended to Like Me is Gone wins coolest fucking album cover of the millennium so far -- a timeless photograph of late 19th century tough as nails, New York City newsboys. The record is pretty damn good, too.

I first heard the Walkmen through what is probably their most popular single, released a few years after this record, “The Rat." An immediately catchy and engaging song, it actually left me somewhat disappointed by most of the Walkmen I sampled thereafter. But after giving their records a few more chances I realized it was only because I was impatient, seeking the immediate gratification "The Rat" offered upon introduction. Once I learned that’s not what the Walkmen were all about, I was much better off.

Everyone Who Pretended to Like Me is Gone reveals itself slowly, as stronger tracks like “French Vacation" and “Wake Up” take a minimalist approach to instrumentation which could give off the illusion of being dull initially, but rewards for repeated listens. By constructing their own studio, carefully choosing their instruments and production style, the Walkmen create a uniquely eerie, classic rock'n'roll feel which allows plenty of space for the music to breathe. Most of the tracks expand their atmospheres as they further develop, dominated by an old-fashioned stand-up piano and Paul Maroon’s classic rock’n’roll guitar sound, probably compliments of a Gibson ES-135 or similar-style Back to the Future hollow-bodied guitar.

The best track is "We've Been Had," a song featured in a Saturn commercial, Hamilton Leithauser sings about the hardships of post-college life, and most likely more specifically moving to New York after school to try and pursue a music career -- something most of us NY transplants can relate to. A beautiful piano line accompanies him along for the ride.

"See me age 19 with some dumb haircut
From 1960 moving to New York City
Live with my friends there
We're all taking the same steps
They're foolish now"